Saturday, November 14, 2015
1. Read your manuscript out loud to your favorite stuffed animal. (To be fair, this one comes from my husband who thought my stuffed Darth Vader would be the perfect listening buddy. When it comes to editing, there will be no one to stop us this time.)
2. Cheryl Klein's Aristotle Plot Checklist. I love her thoughts on emotional plot and action plot. A completely fresh perspective to consider your novel from bird's eye view, particularly if you have a feeling that your plot is currently stuck together with duct tape.
3. For individual chapters, I know I mentioned this in a previous post way back, but I really find cutting a chapter apart into paragraphs and laying them out on the table useful. Obviously, this isn't necessary for every chapter or scene, but if I'm having trouble with a particular scene, I find it can jumpstart my brain.
4. Interviewing your character. This can be useful if you're stuck with a character's motivation or if the character really didn't take shape in the first draft. I've heard of people who do this verbally, but I prefer writing letters to my character and then switching ink color to have the character write me back. If your characters get terse with you, all the better, you're halfway to figuring out the problem.
5. Read the first couple of chapters and then the last couple of chapters. Blake Synder suggests this for scripts in his book, Save The Cat, but I think it's equally interesting for novels. Worried your character doesn't have a strong enough arc? Comparing the beginning to the end side by side can be a quick way to start examining this.
Obviously, these methods just scratches the surface when it comes to editing, but perhaps there's one or two that are useful. Anyone else have favorite editing methods that I didn't mention? I'd love to hear other's techniques!
Saturday, September 26, 2015
I've been querying for a couple months now after a fresh round of more edits. In addition to giving me time to consider all the reasons my manuscript could be rejected, it's also given me some time to step back from the query process and think about which strategies and resources have been the most helpful. For other writers who are also, #amquerying out there, I thought I'd share some of the things I found the most useful.
- Find books that you've loved in the past that are in the genre you're writing and use the acknowledgments or google to find out who represents those authors.
- Go to the #mswl feed on twitter to find what manuscripts agents are interested in right now. #agentwishlist also serves this purpose, but I haven't found it as useful. Plus if you go to the #mswl website, you can sort by genre, thus pulling up any agents that might be currently searching for something specific. Think of it as the personals ads for the publishing business. Maybe someday they'll even come out with a Missed Connections section. I would love to see what that would look like. (You: A well-edited sci-fi with steampunk accessories I noticed from across the room. I: An agent in search of well written steampunk adventure.) But I digress. I've had a lot of luck with this resource, I even got a full manuscript request and quickly from a posting, so this would be the number one resource I would suggest checking out. Lesser known is also, mswlparagraph, a more expanded version where you can peruse longer wishlists by agent.
- Publisher's Marketplace. I know, you have to pay a monthly fee. And that probably means you'll have to give up your sushi habit, or your potato chip habit, (don't judge me) to accommodate for it. But it's worth it. Publisher's Marketplace will list most deals for agents, (some aren't reported,) and this information gives you a much better idea if your book would be a fit for them than online interviews or agency websites because you can get a feel for the type of books they're interested in. For example, if they list middle grade on their website, PM can tell you if they've repped vampire trapeze artists or a story about a girl in drama club whose childhood best friend just betrayed her.
I'd love to hear about other resources and strategies others have used below in the comments. And good luck to anyone out there who is querying!
Monday, June 29, 2015
Yep. It's that time again. Querying time. I feel like I should be engaging in some type of superstitious activity to improve my chances, i.e. surrounding myself in a four leaf clover made of lucky pennies. (Heads up of course.) Or maybe again, it could just be having a good story? To anyone else out there who's querying right now. Here's a wish to hang in there. You're not alone as you check your inbox every twenty seconds. The above image is meant to be inspirational and guide you to query glory.
Tuesday, February 10, 2015
|Photo by Brett Jordan licensed under Creative Commons |
Attribution 2.0 Generic.
I have always loved personality tests. When I was younger, all I could find were those multiple choice quizzes in pop magazines, the ones that discovered deep secrets about you depending on if you selected all a's or all c's. I was always a “c” girl. But most of the topics of these quizzes weren't particularly interesting. I already knew I'm a bad kisser, and I was somewhat skeptical when I was told that my favorite date would be a romantic candlelit outing to an amusement park.
Luckily, when I was slightly older, I discovered the Myers Briggs test, which is like the mother load of personality tests, or possibly just a visit to one of my more clairvoyant Slovak relatives. This week, I started thinking about it again when I ran across some Myers Briggs posters that compare the personalities to characters in favorite shows/books like Firefly, Harry Potter and Dr. Who. I found these to be particularly accurate as I've always felt an affinity to River Tam and Professor Lupin anyways. So that got me thinking. Would Myers Briggs be useful for characters in stories?
I decided to try it out with the current WIP I'm working on. I didn't think it would be a good idea to take the test for every one of my main characters. Instead, I tried to look at each component and decide where my character would fall. Below are the steps I followed, in case anyone is interested in trying it out themselves. I can say I feel like it gave me a new perspective to view my characters.
- I looked at the wikipedia article on Myers Briggs, sliding down to the explanation of Introverted/Extraverted, Intuitive/Sensing, Feeling/ Thinking , Judging/Perceiving
- For each character, I looked at the description and thought what my gut said about how they would react. (Can you tell I'm an Intuitive thinker?)
- For example, one of my characters, Anya, is a very quiet, logical thinker, highly observant and a good problem solver. Looking at each trait, I decided she must be an ISTJ, an Introverted, Sensory, Thinking Judger, or as this personality is traditionally given the name, “The Inspector.” I liked the names that come along with the results, it's almost like I'm setting up a game of Dungeons and Dragons and not a middle grade novel. Not that I would know about such things, other than what my parents told me and I learned from the Greenglass House by Kate Milford. One of my other characters, Isabel, is energetic, idealistic, and eager to help. For her, I ended up with ENFP, “The Champion” almost an opposite of Anya's personality, which is true from what I've written about them.
- You can find descriptions of each combination online. I like this site. Reading the descriptions, it made me think about my characters in new ways. I hadn't thought before about how Anya would probably want things in an organized manner, or Isabel might always try to reassure people rather then tell them the truth outright.
If you try this out, I'd love to hear about your results or anything new you learned about your character in the comments section!
Tuesday, May 27, 2014
If you're like me, and you're the type of person that scans twitter while cutting out polar bears for storytime and scribbles notes for stories on the scraps, you too may have pacing problems when you write. And maybe, what I'm about to say will be useful to you.
Specifically, I have a hard time slowing it down enough for readers to insert themselves comfortably into the story. (Unless your idea of comfortable is a crash landing like Luke Skywalker's landing on Dagobah.) In trying to slow it down, or at least not land in a swamp of words, I've come up with some ideas. I thought I'd share them for anyone else who's having problems out there. If you need to slow down a scene, if it's too speedy, try these on for size.
- Handwrite the Scene. I've found this to be extremely useful. My mom made me take typing classes during the summer back in the 1990's, (my mom, she was clairvoyant, she knew that whole computer thing was going to catch on,) so sometimes I type faster than I think. If your scene feels to fast, it might be worth it to try handwriting the scene from scratch on paper. Since you write slower than you can type, this method causes you to think more and get your head further into the scene as you're writing it than straight typing.
- Description. In general, description is the bane of my existence in writing. I tend to hate it as much as I hate those little cotton balls that they put in your mouth at the dentist's. But if your scene feels to fast, maybe it needs more description. As you're writing the scene, trying looking around at the setting, hearing sounds and noticing smells. What do the characters look like? All of these description based elements will slow down the pace a bit. They also help the reader get inside a story. So even though I struggle for two hours to produce lines like: “The slushie machine hummed in the silence.” In the end, those sentences are probably worth the extra time.
- Internal Dialogue. Bonus: this helps your reader connect with your character. And since it stops the clock on the action in the scene, it gives the reader a chance to adjust to events that are happening, process them and slow down the pace.
- Pause for tea. I am a huge advocate for tea. It has all those anti-oxidants in it, which I secretly think help with the writing process. Or maybe I just really like tea. Beyond that, stepping away for just a minute sometimes makes it easier to see details that can be added.
I hope, if you're having sprinting writing problems like me, these options will help slow it down. Let me know in the comments if you have your own thoughts or suggestions on pacing. I'd love to hear them.
Tuesday, May 20, 2014
So I've just emerged from the fog surrounding graduate school for a two week period, just long enough to delve into some of the wonderful arcs I got at the ALA Midwinter Conference. I pulled THE NIGHT GARDENER by Jonathan Auxier out of the pile first. Lately, this author has done a very thoughtful series of blog articles on what to do after the publishing contract comes. If you're a writer, check out the series here for thoughts like the difference between Book Festivals and Bookstore events, or how to build an online presence.
But back to the book. The Night Gardener has a great classy yet shivery vibe to it. Molly clings to stories to make her way in the world. Alone with her brother in a dickens-like landscape, she and her brother travel to a mysterious house deep in the woods to work as servants. Getting there is tough. All the townspeople avoid the house, whispering tales of a family that disappeared in the night.
But Molly has no choice. She must rely on the power of stories to pull her closer to the truth. But is she willing to face her own truth?
In the words of Tim O'Brien in THE THINGS THEY CARRIED, “sometimes story truth is truer than happening truth.” I've always liked the depth of that quote, and I think that Auxier fully explored story truth in The Night Gardener. I'd recommend this book to kids who've loved the gothic backdrop of Joan Aiken's THE WOLVES OF WILLOUGHBY CHASE or Cathrynne M. Valente's lyrical narration in THE GIRL WHO CIRCUMNAVIGATED THE WORLD (and following sequels.)
One warning: If you are like me, and have to leave the room during certain parts of the Corpse Bride, do not read this book after dark. I read into the night because I couldn't put this book down. By the time I finished, it was late and I was in a dark apartment with the odd sensation that there was some kind of sentient zombie Abraham Lincoln looking over my shoulder. I'm just saying... leave a light on. Either way, THE NIGHT GARDENER is not to be missed.
Tuesday, March 18, 2014
In honor of the snowfall in March, I thought I'd write a little ode to the flakes today. Enjoy.
Snowflakes Hate Diets
Those plump, white flakes
you have to admire their
for the mirror.
They have no time
for the mirror.
They have no time
for fad diets
or counting carbs.
or counting carbs.
or South Beach
They just keep on
content in their gravitational pull
letting the weight of things
letting the weight of things
from every angle
from every angle
as they twirl
in the wind